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6 little known facts about The Sound of Music

<p>The Sound of Music, released in 1965, continues to be one of the most beloved family films of all time. In honour of the iconic film, we look behind the scenes to reveal some little known facts about one of our favourite movies.</p> <p><strong>1. Julie Andrews kept falling over during the famous opening mountain scene</strong></p> <p>While Julie Andrews may look graceful twirling atop the mountain in the opening scenes, in reality she kept being knocked over by the draft of the helicopter trying to capture the iconic aerial scene. Andrews said: “the down draft from those jets was so strong that every time… the helicopter circled around me and the down draft just flattened me into the grass. And I mean flattened. It was fine for a couple of takes, but after that you begin to get just a little bit angry… And I really tried. I mean, I braced myself, I thought, ‘It’s not going to get me this time.’ And every single time, I bit the dust.”</p> <p><strong>2. Christopher Plummer hates the movies</strong></p> <p>Fans of Christopher Plummer’s Captain von Trapp will be disappointed to learn that he hated the film so much he called it “The Sound of Mucus”. “Because it was so awful and sentimental and gooey,” he said. “You had to work terribly hard to try and infuse some minuscule bit of humour into it.” To ease his pain, Plummer drank, even on set. He admitted on the DVD commentary that he was drunk when filming the Austrian music festival scene.</p> <p><strong>3. Charmian Carr injured herself during “Sixteen going on seventeen”</strong></p> <p>Charmian Carr, who played Liesl Von Trapp, slipped while leaping from a bench in the gazebo scene. She fell through the glass and injured her ankle. In the scene, she is wearing a bandage on her leg, which is covered by make up.</p> <p><strong>4. Friedrich grew 15 centimetres during the six months of filming  </strong> </p> <p>Nicholas Hammond, who played Friedrich Von Trapp, grew from 1.60 metres to 1.75 metres in the six months of filming. It caused many continuity problems in the movie as Friedrich had to be shorter than Liesl but taller than Louisa. As the beginning of the film, Hammond had lifts in his films but by the end, Carr who played Liesl had to stand on a box.</p> <p><strong>5. Mia Farrow auditioned for the role of Liesl.</strong> </p> <p><span style="text-decoration: underline;"><strong><a href="https://youtu.be/66v7gtwRGdM" target="_blank" rel="noopener">Watch her audition tape here.</a></strong></span></p> <p><strong>6. The film is historically inaccurate</strong></p> <p>The movie is loosely based on the autobiography of Maria von Trapp, The Story of the Trapp Family Singers, but the film took many liberties. For instance, there were 10 von Trapp children, not seven. Maria left the convent to tutor one of the children, not to governess all them. Georg was a kind man, not the stern disciplinarian as depicted the film. Maria and him were married 11 years before the Nazis invaded Austria. And the Von Trapp family didn’t escape from the mountains by crossing over the mountains – that would have led straight to Hitler’s Germany.</p> <p><em>Image credits: Getty Images </em></p>

Movies

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How music is changing the way dementia patients think

<p dir="ltr">New research has proven that music truly is the universal language, with experts discovering how the power of music is helping those suffering with dementia. </p> <p dir="ltr">Music therapists have shown that music brings dementia patients back to the present, with some even finding their voice thanks to the nostalgic memories of the past. </p> <p dir="ltr">According to Registered Music Therapist and Managing Director of music therapy company Music Beat, Dr Vicky Abad, the power of music is not to be overlooked when it comes to degenerative diseases.</p> <p dir="ltr">“Music is a window into people’s pasts,” she said. “It builds on strengths and abilities against a disease that can strip a person of their dignity, abilities and quality of life.”</p> <p dir="ltr">The team at <a href="https://www.tricare.com.au/">TriCare Aged Care and Retirement</a>, who see the devastating impact of dementia each and every day,  also experience first-hand the impact music has on residents, with many noticing “unrecognisable” changes in personality when a nostalgic tune is played.</p> <p dir="ltr">Louis Rose, an 80-year-old dementia patient and TriCare resident, was diagnosed with dementia six years ago, and requires assistance with many aspects of day to day life. </p> <p dir="ltr">However, listening to music is one thing he can enjoy on his own.</p> <p dir="ltr">“I grew up in Mauritius and while we didn’t have a lot, we certainly had music. Listening to music has always been an escape for me and a way to relax,” Mr Rose said.</p> <p dir="ltr">“When your brain starts to slow down and you find yourself forgetting things, it can be quite frustrating and confusing. Listening to music has been a way to distract myself from what’s going on in my head, it has helped me so much.”</p> <p dir="ltr">Tamsin Sutherland is a regular live music performer at TriCare facilities across Queensland, and has been able to witness incredible moments with the residents as they come alive as soon as she starts to play. </p> <p dir="ltr">“Watching residents who are often non-verbal sing along to the words is incredible,” she said “It really is like they are coming back to life and reconnecting with who they once were. To be part of that is quite emotional for me.”</p> <p dir="ltr">According to Dr Abad, music can help prevent the restless behaviour that often leads to pacing and wandering, especially in the evenings, which are often difficult times for those battling the disease. </p> <p dir="ltr">“Sundowning usually occurs in the late afternoon as dusk approaches, a time that is also associated with what used to be a busy time period in people’s lives,” she noted. </p> <p dir="ltr">“Personalised music is a simple and effective tool to help residents feel validated in their emotions during this time and provides them an opportunity to experience a calmer state of mind”.</p> <p dir="ltr"><em>Image credits: Getty Images </em></p>

Mind

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Aussie music star airlifted to hospital

<p>Beloved Australian folk band The Waifs, known for their timeless hits such as "Lighthouse", "London Still" and "Bridal Train", has had to reschedule their current tour as lead singer Donna Simpson recovers from a shocking accident.</p> <p>The group, which includes sisters Vikki Thorn and Simpson, along with Josh Cunningham, made the announcement on a Tuesday evening through a Facebook post, revealing the unfortunate incident that left fans concerned.</p> <p>Simpson, at the age of 53, faced a harrowing ordeal when she suffered four broken ribs and two collapsed lungs following an e-scooter accident in Broome, Western Australia. The severity of her injuries was such that she had to be airlifted to a hospital in Perth. </p> <p>The statement on The Waifs' Facebook page read: <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">"The Waifs Geelong show scheduled for November 10th has been postponed to Friday, March 8th to allow extra healing time for Donna Simpson, who is recovering from an accident after the band's last show in Broome and has been informed she cannot yet fly.</span></p> <p>“Four broken ribs, two collapsed lungs and a bunch of bruises later, I have realised E Scooters, and I don’t mix,” Donna said. “I would like to take the opportunity to thank the Royal Flying Doctors service who got me swiftly and safely to Perth. And all of the staff at Broome Hospital and Royal Perth Hospital for looking after me so well." </p> <p>While Simpson is on the path to recovery, she regretfully had to miss the Handpicked event scheduled for the weekend. Still, she expressed her confidence in her fellow band members – her sister Vikki Thorn, Josh Cunningham, Dave Ross Macdonald, Ben Franz, and Tony Bourke – who will deliver a memorable performance in her absence. Simpson humorously quipped, "Not as good as my set without her at Blues Fest, but close!"</p> <p>The Waifs, formed in 1992 in Western Australia, have become renowned for their independent spirit and unique sound, which has garnered them a dedicated fan base over the years. Their journey to success was not a straightforward one, but it was fuelled by Simpson's unwavering determination.</p> <p>Thorn, in an interview with <em>The Guardian</em>, shed light on the band's early days, explaining how Donna's vision and can-do attitude propelled them forward. Thorn reminisced, "When we were at school, Donna had the idea to go around Australia and play music. We'd been playing music in the local pub, [and] I don't think we were particularly great at what we did. But she has this can-do attitude … and that attitude carried us through and really created that independent spirit."</p> <p>The postponement of The Waifs' Geelong show is undoubtedly disappointing for fans, but Simpson's recovery is the top priority, and fans eagerly await her return to the stage. In the meantime, The Waifs continue to celebrate their 20th Anniversary Australian Tour, marking two decades of folk music that has resonated with audiences across the globe.</p> <p><em>Images: Wikipedia</em></p>

Caring

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"Health always comes first": Tina Arena's shock announcement

<p>Tina Arena has shocked her fans after making the "difficult decision" to cancel her upcoming Australian tour. </p> <p>The Aussie songstress announced the news on social media, saying the remainder of her shows on the Australian leg of the Love Saves World tour would be postponed due to illness. </p> <p>This is the first time in her long career that the 55-year-old musician has had to cancel a show.</p> <p>Sharing the announcement on Thursday night, Arena shared a black-and-white photo of her band behind the scenes along with the bad news for her fans.</p> <p>“Hi everyone, for the very first time, I have to postpone the rest of my Australian shows,” she wrote.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CySpmXGB9ds/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CySpmXGB9ds/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Tina Arena (@tinaarena)</a></p> </div> </blockquote> <p>“Believe me when I say, it was a hard decision. But remember, health always comes first. Therefore, to ensure it won’t happen again... here we are.” </p> <p>She told concertgoers to “hold onto your tickets”, stressing there would be more information to come.</p> <p>“I wish you all the very best, and my sincere apologies for any inconvenience,” she ended the post, signing off with “T”.</p> <p>The remainder of her Australian shows are expected to be postponed until 2024. </p> <p>Tina Arena completed two shows of her tour, one in Perth and one in Sydney, with shows in Queensland, South Australia and Victoria being cancelled. </p> <p><em>Sunrise</em> entertainment editor Peter Ford says the decision is significant because Arena “doesn’t miss shows, she’s old school - if you have a gig booked you do it”.</p> <p>“On her Instagram post, she actually said that this is the first time ever (that she has cancelled). Now, how long has Tina been around... 40 years?”</p> <p>“Fingers crossed she is getting good care and the attention that she needs,” Ford said.</p> <p><em>Image credits: Getty Images</em></p>

Caring

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Two massive music icons join the Yes Campaign

<p>With three weeks to go before the nation votes to decide on whether the constitution should be changed to establish an Aboriginal and Torres Strait Islander Voice, two music legends have joined the Yes campaign. </p> <p>Australian singer Kamahl has flipped his initial No vote to a Yes within a week, after “sleepless nights weighing the pros and cons." </p> <p>The singer took to X, formerly known as Twitter, to share the reasons why he had a change of heart. </p> <p>“I'm damned if Vote YES and I'll be damned if I Vote NO ! Having spent sleepless nights weighing the pros and cons, I'll be damned and I'll Vote YES !” he wrote.</p> <p>“Coincidentally I was in ‘Journey out of Darkness’ in 1967 as the Aboriginal prisoner, just before THE Referendum”.</p> <p>Just last week the music icon encouraged his followers to vote No in the referendum by changing the lyrics to John Farnham’s song <em>You’re the Voice</em> to “What’s the Voice, I just don’t understand it. It’s just noise and it’s not clear. Vote no-o-oh-oh, o-o-o." </p> <p><em>“We’re not going to vote Apartheid. We don’t want one race privilege. Vote no-o-oh-oh," he sang. </em></p> <p>The 88-year-old flipped his vote after meeting Indigenous comedian Dane Simpson and constitutional lawyer Eddie Synot and listening to their arguments. </p> <p>“I’m embarrassed, until Monday or Tuesday I didn’t realise they (Indigenous people) were considered not human,” he said, after Simpson and Synot explained the voice to Kamahl. </p> <p> “I can’t …For me, it is a heart and mind thing,” he said, while breaking down into tears. </p> <p>The singer explained to Simpson and Synot that he was hesitant to speak up because he had "insufficient knowledge on how the whole thing works”.</p> <p>In a sensational backflip on the issue, the singer also added that he hoped that "the right people with the right mind, heart, ability and knowledge make it a reality," and wished that there was a way of "doing it without looking like a race of people were being advantaged.”</p> <p>“At the end of the day, I am here to help rather than hinder. If the Yes vote helps, then so be it,” he said. </p> <p>“It is a positive thing to do. I don’t think I would achieve anything by voting No … if there is good I can do, I would rather do it than regret it another time.”</p> <p>The <em>Sounds of Goodbye </em>singer is not the only one backing the Yes campaign. On the other side of the world, American rapper MC Hammer – famous for his number one hit song<em> U Can't Touch This</em> – has shared his support for the Yes campaign ahead of the Voice referendum. </p> <p>“I’m with you. Australia it’s time. Repair the breach. #Yes2023,” the rapper tweeted. </p> <p>The 61-year-old admitted that he didn't know what the Voice referendum was until one of his followers brought it up in a post shared on the platform. </p> <p>“Australia has no treaty with its Indigenous people, and has done little in comparison to other British dominions like Canada, New Zealand and the United States to include and uplift its First Nations people,” he said.</p> <p>He then quoted human rights lawyer Professor Megan Davis, one of the most central figures of the Yes campaign. </p> <p>“A successful referendum will set a precedent that will be “really useful for other indigenous populations around the world in relation to recognition,” he quoted the human rights lawyer. </p> <p>This comes just days after<a href="https://www.oversixty.com.au/finance/legal/cathy-freeman-reveals-her-stance-on-the-voice" target="_blank" rel="noopener"> Cathy Freeman</a> shared her stance on the Voice and asked Aussies to  "stand together and to show our support for Australians who need it the most."</p> <p><em>Images: Getty</em></p>

Music

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Tina Turner fans in a frenzy over major announcement

<p>The late Tina Turner will be honoured at the upcoming NRL grand finals, 30 years on from her own iconic performance at the sporting event. </p> <p>Performers of the Tina Turner Musical will headline both the men's and women's grand final events, marking three decades since the late singer's iconic performance at the 1993 grand final. </p> <p>"Thirty years on, Tina Turner's 1993 performance remains one of the great grand final moments," NRL CEO Andrew Abdo said.</p> <p>"This collaboration is a perfect way for rugby league to pay tribute to Tina and everything she did for our game, and it will be a special moment for fans amongst the outstanding entertainment on offer on grand final day."</p> <p>Tina Turner had a long history with the NRL, as she partnered with the New South Wales Rugby League to deliver a campaign to promote the sport, with her songs <em>What You Get Is What You See</em> and <em>The Best</em> being used in the promo shoot and becoming synonymous with the game.</p> <p>"She was so wonderful with the players," former league boss John Quayle told <a href="https://wwos.nine.com.au/nrl/news-2023-tina-turner-tribute-act-grand-final-day-entertainment/bc8b105c-c488-498a-b4d3-8eca763636b8" target="_blank" rel="noopener"><em>Nine</em></a>. "She made everyone relax. She loved it too when we took the jumpers off the players, she was on the beach in bare feet, in a gym with weights and medicine balls."</p> <p>"She was just part of it. She didn't change. Every day it was a big hug on set. Talking to players as if they were entertainers. They all loved it."</p> <p>"It was iconic. What a wonderful legacy. That final scene where she was up on the harbour bridge. She was up there before any tours with no safety gear, she just loved to do it and that's how good she was."</p> <p>The NRL grand final will take place on Sunday October 1st at Sydney's Accor Stadium. </p> <p>Tina Turner <a href="https://oversixty.com.au/entertainment/music/rare-photos-of-tina-turner-s-final-years" target="_blank" rel="noopener">passed away</a> in May 2023 at the age of 83 after a long battle with illness.</p> <p><em>Image credits: Getty Images</em></p>

Music

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Sinead O'Connor was once seen as a sacrilegious rebel, but her music and life were deeply infused with spiritual seeking

<p><em><a href="https://theconversation.com/profiles/brenna-moore-1457909">Brenna Moore</a>, <a href="https://theconversation.com/institutions/fordham-university-1299">Fordham University</a></em></p> <p>When news broke July 26, 2023, that the gifted Irish singer <a href="https://www.bbc.com/news/entertainment-arts-66318626">Sinead O’Connor had died</a>, stories of her most famous performance circulated amid the grief and shock.</p> <p>Thirty-one years ago, after a haunting rendition of Bob Marley’s song “War,” O’Connor ripped up a photograph of Pope John Paul II on live television. “Fight the real enemy,” she said – a reference to <a href="https://theconversation.com/the-catholic-church-sex-abuse-crisis-4-essential-reads-169442">clerical sex abuse</a>. For months afterward, she was banned, <a href="https://www.rollingstone.com/music/music-news/sinead-o-connor-booed-pope-bob-dylan-concert-1176338/">booed and mocked</a>, dismissed as a crazy rebel beyond the pale.</p> <p>Commemorations following her death, however, cast the protest in a very different light. Her “Saturday Night Live” performance is now seen as “invigorating,” <a href="https://www.nytimes.com/2023/07/26/arts/music/sinead-oconnor-snl-pope.html">the New York Times’ pop critic wrote</a>, and “a call to arms for the dispossessed.”</p> <p>Attitudes toward Catholicism, sex and power are far different today than in 1992, whether in New York or O’Connor’s native Dublin. In many people’s eyes, the moral credibility of the Catholic Church around the world <a href="https://news.gallup.com/poll/245858/catholics-faith-clergy-shaken.aspx">has crumbled</a>, and trust in faith institutions of any sort is <a href="https://news.gallup.com/poll/1597/confidence-institutions.aspx">at an all-time low</a>. Sexual abuse, once discussed only in whispers, is now beginning to be talked about openly.</p> <p>I join the chorus of voices today who say O’Connor was decades ahead of her time. But leaving it just at that, we miss something profound about the complexity and depth of her religious imagination. Sinead O’Connor was arguably one of the most spiritually sensitive artists of our time.</p> <p>I am <a href="https://www.fordham.edu/academics/departments/theology/faculty/brenna-moore/">a scholar of Catholicism in the modern era</a> and have long been interested in those figures – the poets, artists, seekers – who wander <a href="https://press.uchicago.edu/ucp/books/book/chicago/K/bo90478851.html">the margins of their religious tradition</a>. These men and women are dissatisfied with the mainstream centers of religious power but nonetheless compelled by something indelibly religious that feeds the wellsprings of their artistic imagination.</p> <p>Throughout her life, O’Connor defied religious labels, exploring multiple faiths. The exquisite freedom in her music cannot be disentangled from <a href="https://www.americamagazine.org/arts-culture/2021/09/16/sinead-oconnor-rememberings-memoir-moore-241369">that something transcendent</a> that she was always after.</p> <h2>‘Rescuing God from religion’</h2> <p>Religion is often thought about as discreet traditions: institutions that someone is either inside or outside. But on the ground, it is rarely that simple.</p> <p>The Catholic Church had a strong hold on Irish society as O’Connor was growing up – a “theocracy,” she called it <a href="https://www.theguardian.com/world/2010/sep/10/sinead-oconnor-pope-visit">in interviews</a> and <a href="https://www.penguin.co.uk/authors/126006/sinead-oconnor">her memoir, “Rememberings</a>” – and for many years she <a href="https://www.reuters.com/article/us-oconnor/singer-sinead-oconnor-demands-pope-steps-down-idUSTRE5BA39Y20091211">called for more accountability</a> for the clerical abuse crisis. But she was also open in her love of other aspects of the faith, albeit often in unorthodox ways. She had a tattoo of Jesus on her chest and continued to critique the church while appearing on television with a priest’s collar.</p> <p>Ten years after her SNL performance, O'Connor took courses at a seminary in Dublin with a Catholic Dominican priest, Rev. Wilfred Harrington. Together, they read the prophets of the Hebrew Bible and the Psalms: sacred scriptures in which God’s voice comes through in darker, moodier, more human forms.</p> <p>Inspired by her teacher, she made the gorgeous album “<a href="https://www.youtube.com/watch?v=xncY5WP12BQ">Theology</a>,” dedicated to him. The album is a mix of some of her own songs inspired by the Hebrew Bible – like “<a href="https://www.youtube.com/wat,h?v=Kf24-rgyOeI">If You Had a Vineyard</a>,” inspired by the Book of Isaiah; and “<a href="https://www.youtube.com/watch?v=Jh7s5BKphw8">Watcher of Men</a>,” which draws from the biblical story of Job – and other tracks that essentially are sung versions of her favorite Psalms.</p> <p>In <a href="https://wfuv.org/content/sinead-oconnor-words-and-music-2007">a 2007 interview</a> with Fordham University’s WFUV radio station, O'Connor said that she was hoping the album could show God to people when religion itself had blocked their access to God. It was a kind of “rescuing God from religion,” to “lift God out of religion.” Rather than preaching or writing, “music is the little way that I do that,” she said, adding, “I say that as someone who has a lot of love for religion.”</p> <h2>Reading the prophets</h2> <p>In doing so, she stood in the long line of the prophetic tradition itself.</p> <p>The great Jewish thinker <a href="https://www.myjewishlearning.com/article/abraham-joshua-heschel-a-prophets-prophet/">Rabbi Abraham Joshua Heschel’s</a> book “<a href="https://www.harpercollins.com/products/the-prophets-abraham-j-heschel?variant=40970012721186">The Prophets</a>” begins with this sentence: “This book is about some of the most disturbing people who have ever lived.” Over and over, the Bible shows the prophets – the prophets who inspired “Theology” – mounting bracing assaults on hypocrisies and insincerities in their own religious communities, and not politely or calmly.</p> <p>To many horrified Catholics, O’Connor’s SNL appearance and her many other criticisms of the church were blasphemous – or, at best, just throwing stones from outside the church for attention. Other fans, however, saw it as prophetic condemnation. It was not just a critique of child abuse but of church officials’ professed compassion for children – sanctimonious pieties <a href="https://www.theguardian.com/world/2009/nov/26/catholic-church-ireland-child-abuse">as they covered up the abuse</a>.</p> <p>In calling this out and so much more, O’Connor was often seen as disturbing: not just the photo-of-the-pope incident, but her androgyny, her shaved head, her openness around her own struggles with mental illness. But for many admirers, as <a href="https://www.youtube.com/watch?v=-VLy1A4En4U">the documentary “Nothing Compares</a>” makes clear, all this showed that she was free, and like the prophets of old, unashamed and unafraid to provoke.</p> <h2>Rasta to Islam</h2> <p>At the same time, O’Connor’s religious imagination was so much more than a complex relationship with Catholicism. Religion around O’Connor was eclectic and intense.</p> <p>She was deeply influenced by <a href="https://theconversation.com/reggaes-sacred-roots-and-call-to-protest-injustice-99069">Rastafarian traditions</a> of Jamaica, <a href="https://wfuv.org/content/sinead-oconnor-words-and-music-2007">which she described</a> as “an anti-religious but massively pro-God spiritual movement.” She considered Sam Cooke’s early album with the Soul Stirrers the best gospel album ever made. She counted among her spiritual heroes Muhammad Ali – and <a href="https://www.bbc.com/news/entertainment-arts-45987127">converted to Islam in 2018</a>, changing her name to Shuhada’ Sadaqat.</p> <p>Yet O’Connor’s vision was not fragmented, as if she were constantly chasing after bits and pieces. The miracle of Sinead O’Connor is that it all coheres, somehow, in the words of an artist who refuses to lie, to hide or not say what she thinks.</p> <p>When asked about spirituality, O’Connor once said that she preferred to sing about it, not talk about it – as she does in so many songs, from <a href="https://www.youtube.com/watch?v=XkP-0rnr_Gw">her luminous singing of the antiphon</a>, a Marian hymn sung at Easter services, to her Rasta-inspired album, “<a href="https://pitchfork.com/reviews/albums/5945-throw-down-your-arms/">Throw Down Your Arms</a>.”</p> <p>In “<a href="https://www.youtube.com/watch?v=haYbyQIEgQk">Something Beautiful</a>,” a track from the “Theology” album, O’Connor speaks both to God and the listener: “I wanna make/ Something beautiful/ For you and from you/ To show you/ I adore you.”</p> <p>Indeed she did. To be moved by her art is to sense a transcendence, a peek into radiance.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/210540/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/brenna-moore-1457909">Brenna Moore</a>, Professor of Theology, <a href="https://theconversation.com/institutions/fordham-university-1299">Fordham University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/sinead-oconnor-was-once-seen-as-a-sacrilegious-rebel-but-her-music-and-life-were-deeply-infused-with-spiritual-seeking-210540">original article</a>.</em></p>

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Tony Bennett: the timeless visionary who, with a nod to America’s musical heritage, embraced the future

<p><em><a href="https://theconversation.com/profiles/jose-valentino-ruiz-1293457">Jose Valentino Ruiz</a>, <a href="https://theconversation.com/institutions/university-of-florida-1392">University of Florida</a></em></p> <p>In the history of American popular music, there have been few luminaries as enduring and innovative as Tony Bennett.</p> <p>With a career that spanned almost 80 years, Bennett’s smooth tones, unique phrasing and visionary musical collaborations left an indelible mark on vocal jazz and the recording industry as a whole.</p> <p>That his <a href="https://apnews.com/article/tony-bennett-dies-c3b3a7e2360449fb936a38794c7c3266">death at the age of 96</a> on July 21, 2023, was mourned by artists as varied as <a href="https://twitter.com/KeithUrban/status/1682395658395824133">Keith Urban</a>, <a href="https://twitter.com/OzzyOsbourne/status/1682411338340126720">Ozzy Osbourne</a> and <a href="https://twitter.com/HarryConnickJR?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1682411086656557056%7Ctwgr%5E04a78435a793b5246d7bc19e09529f2b2f0bcfab%7Ctwcon%5Es1_&amp;ref_url=https%3A%2F%2Fvariety.com%2F2023%2Fmusic%2Fnews%2Ftony-bennett-elton-john-reaction-tribute-1235676405%2F">Harry Connick Jr.</a> should come as no surprise. Yes, Bennett was a jazz crooner. But if his voice was always a constant – even late into his 80s, way past an age when most other singers have seen their vocal abilities diminish – then his embrace of the contemporary was every bit a facet of Bennett’s appeal.</p> <h2>Vocal innovator</h2> <p>Bennett’s journey is a testament to the power of daring innovation.</p> <p>From the early days of his career in the 1950s to his final recordings in the early 2020s, he fearlessly explored new musical territories, revolutionizing vocal jazz and captivating audiences across generations.</p> <p>His vocal style and phrasing were distinctive and set him apart from other artists of his time. He utilized a delayed or “laid-back” approach to falling on the note, a technique known as “<a href="https://www.musictheoryacademy.com/how-to-read-sheet-music/rubato/">rubato</a>.” This created a sense of anticipation in his phrasing, adding an element of surprise to his performances. Through Bennett’s skilled use of rubato, he was able to play with the tempo and rhythm of a song, bending and stretching musical phrases to evoke a range of emotions. This subtle manipulation of timing gave his songs a natural and conversational quality, making listeners feel as though he was intimately sharing his stories with them.</p> <p>Armed with this silky, playful voice, Bennett found fame fairly early on in his career, delivering jazz standards alongside the likes of Mel Tormé and Nat King Cole. By the mid-1960s, he was being touted by Frank Sinatra as “the best singer in the business.”</p> <p>But his musical style fell out of fashion in the 1970s – a lean period during which Bennett <a href="https://www.washingtonpost.com/history/2023/07/21/tony-bennett-son-life-career-drugs/">almost succumbed to a drug overdose</a>. Then, in the 1990s, Bennett found a new audience and set off a series of collaborations with contemporary musical stars that would become the standard for his later career.</p> <p>No genre of artistry was deemed off-limits for Bennett. “<a href="https://www.tonybennett.com/music-detail.php?id=11">Duets: An American Classic</a>,” released to coincide with his 80th birthday in 2006, saw collaborations with country stars such as k.d. lang and the Dixie Chicks – now known as the Chicks – and soul legend Stevie Wonder, alongside kindred jazz spirits such as Diana Krall. “Duets II,” a 2011 follow-up, saw further explorations with the likes of Aretha Franklin, Queen Latifah, Willie Nelson and Amy Winehouse, in what would become the <a href="https://faroutmagazine.co.uk/amy-winehouse-final-recording-session/">British singer’s last recording</a>.</p> <p>But his cross-generational, cross-genre and cross-cultural appeal is perhaps best exemplified by his <a href="https://www.nytimes.com/2023/07/21/arts/music/tony-bennett-lady-gaga.html">collaborations with Lady Gaga</a>, first on the 2014 Grammy-winning album “Cheek to Cheek.” The recording brought together two artists from different generations, genres and backgrounds, uniting them in a harmonious celebration of jazz classics. The collaboration not only showcased each one’s vocal prowess, but also sent a powerful message about the unifying nature of music.</p> <p>Lady Gaga, a pop artist with avant-garde leanings, might have seemed an unlikely partner for Bennett, the quintessential jazz crooner. Yet their musical chemistry and mutual admiration resulted in an album that mesmerized audiences worldwide. “Cheek to Cheek” effortlessly transcended musical boundaries, while the duo’s magnetic stage presence and undeniable talent enchanted listeners.</p> <p>The successful fusion of jazz and pop encouraged artists to experiment beyond traditional boundaries, leading to more cross-genre projects across the industry – proving that such projects could go beyond one-off novelties, and be profitable at that.</p> <h2>Timeless artistry</h2> <p>Bennett’s embrace of contemporary artists did not mean that he abandoned his own musical self. By blending traditional jazz with contemporary elements, he managed to captivate audiences across generations, appealing to both longtime fans and new listeners.</p> <p>One key aspect of Bennett’s success was his ability to embody the sentiment of old America, reminiscent of artists like Sinatra, Billie Holiday and Louis Armstrong, while infusing contemporary nuances that resonated with the human condition of a more modern era. His approach to music captured both the essence and struggle of America, giving his songs a timeless and universal appeal. Moreover, his voice conveyed familiarity and comfort, akin to listening to a beloved uncle.</p> <p>Bennett’s albums stood out not only for his soulful voice and impeccable delivery but also for the way he drew others from varied musical backgrounds into his world of jazz sensibilities. As a producer, he recognized the importance of nurturing creativity and bringing out the best in artists.</p> <p>Meanwhile, Bennett’s approach to evolving his own sound while preserving its essence sets him apart as an artist. Fearless in his pursuit of innovation, he delved into contemporary musical elements and collaborated with producers to infuse new sonic dimensions into his later albums. The result drew listeners into an <a href="https://www.youtube.com/watch?v=6kNpdLZwetU">intimate and immersive, concert-like acoustic journey</a>.</p> <h2>Depth of emotion</h2> <p>The greats in music have an ability to speak to the human experience. And either in collaboration with others or on his own, Bennett was able to achieve this time and time again.</p> <p>His albums were successful not only due to their technical brilliance and musicality but also because Bennett’s voice conveyed a depth of emotion that transcended barriers of time and culture, touching the hearts of listeners from various backgrounds. There was a universality in his music that made him a beloved and revered artist across the globe.</p> <p>Bennett’s life spanned decades of societal upheavals in the United States. But in his music, listeners could always find beauty in challenging times. And as the 20th- and 21st-century American music industry went through its own revolutions, Bennett’s artistic evolution mirrored the changes, cementing his place as a music icon who defies the boundaries of time and trends.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/210244/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><iframe style="border-radius: 12px;" src="https://open.spotify.com/embed/playlist/2UxxnhUE5YLchYgutxKEbJ?utm_source=generator" width="100%" height="380" frameborder="0" allowfullscreen="allowfullscreen" loading="lazy"></iframe></p> <p><em><a href="https://theconversation.com/profiles/jose-valentino-ruiz-1293457">Jose Valentino Ruiz</a>, Program Director of Music Business &amp; Entrepreneurship, <a href="https://theconversation.com/institutions/university-of-florida-1392">University of Florida</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/tony-bennett-the-timeless-visionary-who-with-a-nod-to-americas-musical-heritage-embraced-the-future-210244">original article</a>.</em></p>

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Country music star's "racist" song divides audience

<p>A popular country music star has been forced to defend his new song and accompanying music video, after many condemned the track for being racist. </p> <p>Jason Aldean's song, titled <em>Try That in a Small Town</em>, soared to number one on the country music charts in the US, before been pulled by Country Music Television after claims it promoted gun violence, vigilantism and lynching: a form of execution frequently committed against African-Americans.</p> <p>The singer, who is known for his conservative views, defended the song, saying it was about, “the feeling of community that I had growing up in where we took care of our neighbours, regardless of difference of background or beliefs”.</p> <p>He also slammed the furore against the song, saying saying the accusations against the track that it is “pro lynching” are “not only meritless but dangerous”.</p> <p>Singer Sheryl Crow called out Aldean posting on Twitter, “There’s nothing small town or American about promoting violence,” and called the song “lame” for its controversial themes. </p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">.<a href="https://twitter.com/Jason_Aldean?ref_src=twsrc%5Etfw">@Jason_Aldean</a> I’m from a small town. Even people in small towns are sick of violence.There’s nothing small-town or American about promoting violence. You should know that better than anyone having survived a mass shooting.</p> <p>This is not American or small town-like. It’s just lame <a href="https://t.co/cuOtUO9xjr">https://t.co/cuOtUO9xjr</a></p> <p>— Sheryl Crow (@SherylCrow) <a href="https://twitter.com/SherylCrow/status/1681485292425867264?ref_src=twsrc%5Etfw">July 19, 2023</a></p></blockquote> <p>The music video for the song prompted a new wave of backlash, as it was filmed outside the Maury County Courthouse in Columbia, Tennessee, which is a site that African American man was lynched. </p> <p>A writer for entertainment industry magazine <em><a title="variety.com" href="https://variety.com/2023/music/opinion/jason-aldean-try-that-in-a-small-town-worst-country-song-video-column-1235673177/">Variety</a></em> said it was “the most contemptible country song of the decade” which traded on the “implicit moral superiority of having a limited number of neighbours”.</p> <p>“For Aldean, it’s about how tiny burgs are under the imminent threat of attack from lawless urban marauders who will have to be kept at bay by any means necessary – meaning, pretty explicitly, vigilantism,” wrote its music critic Chris William.</p> <p>He went on to say the video was “dangerous” because it “conflates the act of protesting with violent crime”.</p> <p>In the wake of the criticism, Aldean hit back on his social media accounts, saying people had gone "too far" with their interpretation of the song. </p> <p>He wrote on Twitter, “There is not a single lyric in the song that references race or points to it – and there isn’t a single clip that isn’t real news footage – and while I can try and respect others to have their own interpretation of a song with music – this one goes too far.”</p> <p>“My political views have never been something I’ve hidden from. And I know that a lot of us in this country don’t agree on how we get back to a sense of normalcy, where we go at least a day without a headline that keeps us up at night, but the desire for it to – that’s what the song is about.”</p> <p><em>Image credits: Getty Images</em></p>

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"Self-indulgent narcissism": Tina Arena slammed for breaking lockdown restrictions

<p>Tina Arena has come under fire for bragging about breaking Covid lockdown restrictions to resist what she called a "totalitarian" regime. </p> <p>The 55-year-old singer spoke candidly with <a href="https://www.theaustralian.com.au" target="_blank" rel="noopener"><em>The Weekend Australian</em></a>, reflecting on the 2021 Delta lockdowns and why she chose to deliberately break the restriction that prevented people from travelling within 5km of their homes. </p> <p>"Why can't you drive more than five kilometres? Guess what – watch me. So I did. I drove past my five kilometres. Am I a criminal now? You want to pull me up? Pull me up. You want to fine me? Fine me. I'm not the one with the issue here," she told the publication.</p> <p>"The issue is, there is no logic. You have no right to do that. You are fining me. This is totalitarian. We don't work like that."</p> <p>Tina went on to claim that she was the only person who was frustrated by the harsh lockdown measures enough to speak up. </p> <p>"I didn't hear anybody complaining ­during lockdown other than me: 'Why are we locked up? Where's your science? What? Why?; The fear was so much for me; it was choking me, I was like, I can't cope with all of you being so fear-driven like this, and compliant," she said.</p> <p>Tina's comments sparked outrage online, with many people weighing in on her "selfish" choice to break the rules.</p> <p>"Tina Arena is just the Pete Evans of Music," wrote one person, referring to the disgraced television chef who was criticised for his anti-vax views. </p> <p>"Tina Arena - just another ignorant, selfish, fearful individual who was unwilling to comply with lockdown orders at the height of a deadly pandemic before vaccines were available. Yes 'deadly'! I have zero sympathy for those who blatantly ignored the restrictions," said another. </p> <p>Another disgruntled reader said, "Tina Arena's self indulgent narcissism is astounding, does she think she was the only person feeling fearful, locked up and battling mental health issues during the pandemic?"</p> <p>Another person called out her actions, writing, "Very selfish of Tina Arena. Hundreds of healthcare workers were f***ing exhausted, people with disabilities and severe health conditions were (and still are) living in fear of getting sick and she decided the rules wouldn't apply to her. Very disappointing."</p> <p>Social media users were quick to point out her "selfish" comments, with one person putting things into perspective by saying, "Most of us weren't wallowing in self pity, we were just doing what we needed to do to keep our families safe."</p> <p><em>Image credits: Getty Images</em></p>

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How listening to music could help you beat insomnia

<p><em><a href="https://theconversation.com/profiles/victoria-williamson-277929">Victoria Williamson</a>, <a href="https://theconversation.com/institutions/university-of-sheffield-1147">University of Sheffield</a></em></p> <p>In our hectic world, a good night’s sleep is worth its weight in gold when it comes to improving <a href="http://www.apa.org/topics/sleep/why.aspx">physical and mental well-being</a>. Much more than a basic method of energy conservation, sleep is a state during which muscle and bone are generated and repaired, and memories and learning systems are updated. Sleep also allows the body and brain to clear out the toxic byproducts of the day’s waking activity that might otherwise build up and cause harm. <a href="http://healthysleep.med.harvard.edu/healthy/matters/benefits-of-sleep/why-do-we-sleep">In short, good sleep is a cornerstone of human health</a>.</p> <p>Sadly, not all of us are blessed with the bounty of a good night’s slumber after a long and often tiring day. <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1978319/">Around 30% of adults</a> experience chronic insomnia at some point in their life – where sleep is disrupted for more than a month. Estimates are even higher in older populations and those who experience regular stress.</p> <p><a href="http://www.webmd.com/sleep-disorders/features/10-results-sleep-loss#1">Insomnia can be devastating</a>, and has been linked to cognitive deficiencies – such as memory lapses, psychological problems including mood and anxiety disorders, and long-term health concerns including obesity and dementia. The most severe cases of chronic insomnia can even increase <a href="http://www.medicalnewstoday.com/articles/290065.php">the risk of mortality</a>.</p> <figure><iframe src="https://www.youtube.com/embed/TTDDK6goHVg?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>The cost of insomnia goes well beyond just health. According to the National Sleep Foundation, insomniacs are two to four times more likely to have an accident – with over <a href="https://www.cdc.gov/features/dsdrowsydriving/">72,000 traffic accidents a year</a> in the US alone linked to sleep deprivation. Insomnia also costs US companies an <a href="http://www.nbcnews.com/id/12152327/ns/health-sleep/t/chronic-sleep-problems-costing-us-billions/">estimated $150 billion</a> in absenteeism and reduced productivity, every year.</p> <p>Given our need for regular and deep sleep, it is no surprise then that people with insomnia often reach for the medicine cabinet. Pharmacies in the UK regularly dispense more than <a href="https://www.theguardian.com/society/2012/may/11/nhs-spending-sleeping-pills-50m">15.3m prescriptions for sleep aids</a>. But this is not the safest route to a good night’s slumber, as the use of over the counter and prescription sleep aids can lead to harmful side effects, dependency and withdrawal.</p> <h2>Music for sleep?</h2> <p>Research has shown that listening to “self-selected” music – music of your choice – can actually shorten stage two sleep cycles. This means people reach restful <a href="https://theconversation.com/can-listening-to-music-help-you-fall-asleep-49864">REM sleep – the restorative part of our sleep – more quickly</a>.</p> <p>In the study, students who listened to 45 minutes of <a href="http://lib.semmelweis.hu/sepub/pdf/2008/a18426457">music before bedtime</a> for three weeks saw a cumulative positive effect on multiple measures of sleep efficiency with similar effects reported in older citizens in Singapore. Following all this evidence, the NHS now recommends “<a href="http://www.nhs.uk/Conditions/Insomnia/Pages/Prevention.aspx">listening to soft music</a>” before bedtime as a method to prevent insomnia.</p> <p>With all this in mind, <a href="http://musicwellbeing.group.shef.ac.uk/">our research unit</a>, along with colleagues from the Sleep and Cognition Laboratory at the University of Lincoln and Goldsmiths, University of London, has embarked on a new music sleep project, to find out what people listen to when they are nodding off – and why people believe music helps their sleep.</p> <p><a href="https://dl.dropboxusercontent.com/u/16722236/Final%20sleep%20infographic.pdf">The first phase of our music sleep survey </a> has been completed by 651 people, who have told us a great deal about the music that helps them to sleep. We discovered the top rated composer of sleep music in our sample is Johann Sebastian Bach. He was followed by Ed Sheeran, Wolfgang Amadeus Mozart, Brian Eno, and Coldplay.</p> <p>Aside from those few top rated artists, there was an enormous variety of individual choices – with 14 different genres and 545 different artists named. And it is this data which will give us the basis to examine the features of effective sleep music. Using computer programs we will be able to pin down the consistent musical features that support sleep among these many diverse musical sounds.</p> <h2>Face the music</h2> <p>We also found out a lot about the reasons why people are turning to music in the first place. And they are varied. In our <a href="https://dl.dropboxusercontent.com/u/16722236/Final%20sleep%20infographic.pdf">research</a>, people highlighted the importance of music for blocking disruptive external (such as traffic) and internal (like tinnitus) sounds, for filling uncomfortable silences, and providing a sense of companionship and security.</p> <p>This suggests that a one size fits all approach to music for sleep is unlikely to suit all insomniacs, because people are tuning into so many different types of music for so many different reasons.</p> <p><a href="https://www.youtube.com/watch?v=TTDDK6goHVg&amp;feature=youtu.be">The next step for our research</a> will be to expand <a href="http://musicpsychology.co.uk/sleep/">our survey</a> to cover as many populations and cultures as possible. We will then test the music that people report to be consistently effective at different stages of sleep using advanced sleep recording techniques.</p> <p>Our aim is to develop personalised music selection technology, combined with advice on music sleep strategies, as a complete package for people who need to restore their sleep to normal for the sake of their health, quality of life and well-being.</p> <p>Until then, the best advice we can offer when choosing music to put you to sleep is to trust your own musical choices over generic “sleep” playlists. You know best what you are looking for in a bedtime track – based on what you like and what you need from the music at the time. And in the near future we will be armed with the necessary evidence that will allow us to move from this “instinctive approach” to a more informed and optimised application of music as an effective aid in the battle against insomnia.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/61622/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/victoria-williamson-277929">Victoria Williamson</a>, Lecturer in Music , <a href="https://theconversation.com/institutions/university-of-sheffield-1147">University of Sheffield</a></em></p> <p><em>Image </em><em>credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-listening-to-music-could-help-you-beat-insomnia-61622">original article</a>.</em></p>

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Tina Turner: an immense talent with a voice and back catalogue that unites disparate music lovers

<p><em><a href="https://theconversation.com/profiles/freya-jarman-535397">Freya Jarman</a>, <a href="https://theconversation.com/institutions/university-of-liverpool-1198">University of Liverpool</a></em></p> <p>On a few rare occasions (often at the end of a night), I’ve confided to my friends that Tina Turner was one of my biggest celebrity crushes. The revelation has usually been met with some surprise, and not unreasonably. Born in 1939, Tina was older than my mother and nearly 40 years older than me.</p> <p>But to me, she was a complete goddess from the moment I first encountered her. I vividly recall a white button-down shirt and figure-hugging blue jeans (probably the Foreign Affair tour of 1990) and an awakening of teenage desire.</p> <p>Turner has died aged 83. Reflecting now on her 50-year-long career, I can see the threads that made her the perfect icon for the young queer feminist I was in the early 90s. She was a strong and resilient woman who escaped the control of abusive men and went on to forge a stronger solo career afterwards.</p> <p>But her music also pushed boundaries of genre in ways that start to defy categories of gender, race and age, thereby changing the way female performers could be thought of.</p> <p>In 1967, Turner was both the first Black artist and woman to appear on the cover of <a href="https://www.rollingstone.com/music/music-pictures/tina-turner-rolling-stone-covers-916255/">Rolling Stone</a>. She remains the only Black woman to have been inducted twice into the Rock and Roll Hall of Fame. In 2013, she became the oldest person (at 73) to appear on the <a href="https://www.thecut.com/2013/03/tina-turner-oldest-vogue-cover-model.html">cover of Vogue</a>.</p> <p>Vocally, Turner was raised in the church, Spring Hill Baptist Church in Nutbush, specifically. However, her voice was different from the others she came up alongside.</p> <p>Unlike Dionne Warwick, Aretha Franklin or Diana Ross, Turner’s voice had a grit and a rasp, qualities that always added an unexpected edge to her early work. It was also a sound that enabled her to move beyond soul and blues in her solo career.</p> <h2>A genre-fluid singer</h2> <p>Turner’s first solo album (in 1974) was country, replete with steel guitars and talk of the bayou. The very next year, she performed the role of the <a href="https://www.youtube.com/watch?v=2rJGX8uqoL8&amp;ab_channel=StevenPrestidge">Acid Queen</a> in film of The Who’s psychedelic operetta fantasy, Tommy. The role gave its name to an album featuring several notable rock covers by Turner, such as Led Zeppelin’s Whole Lotta Love.</p> <p>Famously, she escaped from an abusive relationship with her singing partner Ike Turner, securing the rights to her stage name to her comparative financial detriment in their divorce settlement in 1978. Ike exerted his dominance in plain sight, slipping verbal threats of violence into <a href="https://youtu.be/FqdhfwUd2lk?t=88">a live performance of I’ve Been Loving You Too Long</a> at a concert in Ghana (1971).</p> <p>From the early 1980s, Turner made what has repeatedly been described as one of the most remarkable career comebacks of the century. The chart success of her cover of Al Green’s <a href="https://www.youtube.com/watch?v=4rFB4nj_GRc&amp;ab_channel=TinaTurner">Let’s Stay Together</a> (1983) came from left of field and the ensuing album, Private Dancer (1984) went platinum five times.</p> <figure><iframe src="https://www.youtube.com/embed/d4QnalIHlVc?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Private Dancer represented another musical turn, this time towards the electro-synth pop world inhabited by Heaven 17, whose Rupert Hine and Martyn Ware produced several of the songs.</p> <p>The title song of the album exemplifies the narrative of Tina as a feminist powerhouse. Even 40 years on, the idea of a woman in her mid-40s singing a pop song about sex work is somewhat surprising.</p> <p>It’s not just an allusion to sex work (like, for instance, Blondie’s Call Me). And it’s far from the many songs about female sex workers written and performed by men (take Roxanne by The Police or Killer Queen by Queen for instance).</p> <p>Private Dancer is an explicit and unambiguous declaration of female desire and power in the first person. If anyone were in any doubt that Beyoncé owes a great deal to Turner’s trailblazing, her video for <a href="https://www.youtube.com/watch?v=pZ12_E5R3qc&amp;ab_channel=Beyonc%C3%A9VEVO">Partition</a> is surely evidence, being a direct descendant of Private Dancer with its cage-dancing sex show.</p> <p>Over her 14 solo albums, Turner developed a remarkable capacity to push through boundaries and exist between categories. Along the way, she also changed how a woman in popular music was positioned for consumption. This magic made her fans in all sorts of music listeners.</p> <h2>A musical uniter</h2> <p>Turner’s musical agility allowed her to inhabit contradictory musical spaces simultaneously. For instance, there is the Tina Turner who makes regular appearances on the setlists of DJs at retro club nights, inspiring inebriated patrons to shake their tail feathers in unison.</p> <p>There is an exuberance here that crosses times and identities to bring a crowd together in the ritual of “rolling on the river”. It’s a song that also invites all shades of <a href="https://www.youtube.com/watch?v=GLUJz5xrdds&amp;ab_channel=ThatRPDRChannel">drag performance to honour it</a>.</p> <figure><iframe src="https://www.youtube.com/embed/GC5E8ie2pdM?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Then there is the Tina Turner who appears – frequently as the only woman, and perhaps uniquely as a Black woman – on compilations targeted at a predominantly male audience.</p> <p>The world of “dad rock” and “driving anthems” is a stronghold of largely white, male baby boomers. Think Robert Palmer, ZZ Top, The Jam and Whitesnake. There alongside them is Turner with songs like The Best, We Don’t Need Another Hero and Nutbush City Limits.</p> <p>Tina Turner’s capacity to transcend these borders of genre, and with them, borders of race, age, and gender, is what made her the absolute legend that she was. To me, it will also always represent a hybridity that calls to my identity as a queer feminist.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206526/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/freya-jarman-535397">Freya Jarman</a>, Reader in the Department of Music, <a href="https://theconversation.com/institutions/university-of-liverpool-1198">University of Liverpool</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/tina-turner-an-immense-talent-with-a-voice-and-back-catalogue-that-unites-disparate-music-lovers-206526">original article</a>.</em></p>

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Baby names inspired by music icons

<p>Parents these days are finding baby name inspiration everywhere: from the characters in Disney film Frozen to their favourite chart-topping musicians.</p> <p>Take a look at these popular baby names inspired by leading music icons.</p> <p><strong>Alanis</strong></p> <p>Singer Alanis Morissette made this unique twist on the name Alannah famous. She was named after her father Alan, who is said to have found the name Alanis in a Greek newspaper.</p> <p><strong>Bowie</strong></p> <p>English singer David Bowie could never have guessing he’d inspire a generation of parents to use his iconic surname for their babies.</p> <p><strong>Dylan</strong></p> <p>Bob Dylan is another singer whose last name has been turned on its heard for naming inspiration.</p> <p><strong>Elton</strong></p> <p>Sir Elton John captured a generation with award-winning songs like Tiny Dancer and Candle in the Wind, so it’s little surprise his name is catching on as a unique option.</p> <p><strong>Taylor</strong></p> <p>Once a common American boy’s name, Taylor has become popular as a girl’s name thanks to country pop star Taylor Swift.</p> <p><strong>Enya</strong></p> <p>Irish singer and instrumentalist Enya, whose real name is actually Eithne Ni Bhraonain, is known for chart-topping solo songs such as Sail Away.</p> <p><strong>Fergie</strong></p> <p>Reminiscent of Fergie the Duchess of York and singer Fergie, born Stacy Ann Ferguson, this is a name with attitude.</p> <p><strong>Hendrix</strong></p> <p>Revered American rock guitarist Jimmy Hendix may have only had a career spanning four years, but his name lives on as a modern first name.</p> <p><strong>Joss</strong></p> <p>Musician Joscelyn Eve Stoker, also known by her stage name Joss Stone, made this nickname a household name.</p> <p><strong>Kelis</strong></p> <p>The RnB singer Kelis Rogers is said to have gotten her one-of-a-kind name when her parents combined their names Kenneth and Eveliss.</p> <p><strong>Lennox</strong></p> <p>While Lennox is an aristocratic Scottish surname by tradition, songstress Annie Lennox brought it in vogue as a potential first name.</p> <p><strong>Mya</strong></p> <p>Popularised by RnB singer Mya Harrison, this became a twist on the classically spelt Mia.</p> <p><strong>Ray</strong></p> <p>Jazz musician Ray Charles brought this name back into popularity. It’s also a choice for girls, with spelling switched to ‘Rae.’</p> <p><em>Images: Getty</em></p>

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Why isn’t Australian music charting on the ARIA charts?

<p><em><a href="https://theconversation.com/profiles/timothy-mckenry-287534">Timothy McKenry</a>, <a href="https://theconversation.com/institutions/australian-catholic-university-747">Australian Catholic University</a></em></p> <p>The excitement generated by the 2023 Eurovision contest was palpable. Members of my family, like thousands of Australians, were awake at 5am on a Sunday to cheer on Australia’s Eurovision contenders, Perth band Voyager. Their song <em><a href="https://youtu.be/aqtu2GspT80">Promise</a></em> was the eighth Australian entry since we first competed in 2015. Seven of these entries have made the finals.</p> <p>The <a href="https://www.smh.com.au/culture/music/sweden-wins-australia-ninth-in-thrilling-eurovision-final-showdown-20230512-p5d7v9.html">media coverage</a> and public engagement with Eurovision demonstrates how intensely interested we are in the international success of our musicians.</p> <p>However, <a href="https://www.aria.com.au/industry/news/australian-music-celebrates-four-years-of-growth">recent comments</a> made by the Australian Recording Industry Association (ARIA) CEO, Annabelle Herd, reveal a jarring discrepancy between our support for Australian musicians at Eurovision and our actual listening and spending habits.</p> <p>Even though we spent $609.6 million on recorded music in 2022 through direct sales and streaming, a 16-year high and more than $40 million higher than 2021, we tend to neglect the music of Australians in favour of overseas artists.</p> <p>Herd stated: "the lack of a single Australian album in the ARIA Albums Chart last week alone proves the need to develop an urgent strategy […] to ensure that the growing number of Australian music lovers can connect with Australian artists."</p> <p>Though Kate Ceberano’s <em>My Life is a Symphony</em> has just this week entered the chart at number six, ARIA’s <a href="https://www.aria.com.au/charts/albums-chart/2023-05-22">top 50 album chart</a> demonstrates our preoccupation with the likes of huge non-Australian artists such as Taylor Swift, Post Malone, Harry Styles and others.</p> <figure><iframe src="https://www.youtube.com/embed/aqtu2GspT80?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>Cultural cringe</h2> <p>Non-Indigenous Australians <a href="https://www.amazon.com.au/Currency-Companion-Music-Dance-Australia/dp/0958121311">have a history</a> of importing or “<a href="https://www.jstor.org/stable/pdf/23512424.pdf?refreqid=excelsior%3A4272009b6d90aea4b0c2ee111916cc83&amp;ab_segments=&amp;origin=&amp;initiator=&amp;acceptTC=1">transplanting</a>” their musical culture.</p> <p>From <a href="https://www.nla.gov.au/collections/guide-selected-collections/williamson-collection#:%7E:text=In%201904%20Williamson%20entered%20a,Tait%20was%20the%20general%20manager">Italian opera in the 1890s</a> to the <a href="https://www.jstor.org/stable/853189">Beatles in the 1960s</a> to Taylor Swift in the 2020s (who currently has eight albums in our top 50), our predilection for imported music is inarguable.</p> <p>While there’s nothing wrong with cosmopolitan taste, and we should note ARIA does track the sales of Australian artists through <a href="https://www.aria.com.au/charts/">dedicated charts</a>, we must interrogate the patterns of music consumption that reveal a tendency to neglect our homegrown musicians.</p> <p>The term “cultural cringe”, coined by AA Philips in his <a href="https://meanjin.com.au/essays/the-cultural-cringe-by-a-a-phillips/">seminal Meanjin article</a> of 1950, describes a “disease of the Australian mind” that assumes “domestic cultural product will be worse than the imported article”.</p> <p>For much of the 20th century, overseas training or overseas acclaim was a pre-requisite for domestic acceptance of Australian artists, musicians and writers.</p> <p>Pianist <a href="https://www.britannica.com/biography/Percy-Aldridge-Grainger">Percy Grainger</a>, considered an archetypal Australian musician, lived and worked in America for much of his life and is often remembered as an American composer. The experience of creatives like Germaine Greer, <a href="https://www.classical-music.com/features/articles/7-notable-masters-of-the-queens-kings-music/">Malcolm Williamson</a> and Clive James needing to leave our shores to pursue a career in the arts is echoed in the story of a millennial singer like <a href="https://themusic.com.au/features/australian-artists-finding-success-overseas-part-one-vassy/HEsEDjEwMzI/23-11-22">Vassy</a>.</p> <p>In a 2022 interview, Vassy describes the frustrations that led her to leave Australia to pursue opportunities in America. She describes her then-record label as not being committed to Australian performers unless they evoked a specific type of “Australiana”.</p> <p>“So it was either you look that part and you be that Australian thing that they want or they just push American acts, like, A-list acts.”</p> <p>Is it possible that our love of Eurovision, and our collective desire for the international acclaim that would accompany a win, has its roots in the cultural cringe? That we’d cheer our musicians overseas, but inadequately support them at home, generates a vicious cycle that prevents Australian music thriving as it should.</p> <figure><iframe src="https://www.youtube.com/embed/twyPPjEyd7o?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>Pirates and streaming</h2> <p>There may be other reasons apart from our awkward cultural history that account for the underrepresentation of Australian music on the ARIA charts.</p> <p>Two decades ago, digital disruption in the form of filesharing sites like Napster <a href="https://www.simonandschuster.com/books/Ripped/Greg-Kot/9781416547310">broke the business model</a> of the recording industry. While streaming subscriptions and the resurgence of vinyl now <a href="https://www.aria.com.au/industry/news/australian-music-celebrates-four-years-of-growth">underpin sales of recorded music</a>, the effects of disruption continue to be felt.</p> <p>ARIA, for example, only began to <a href="https://www.aria.com.au/aria-charts-code-of-practice">include streaming</a> in its charts from 2014, with current arrangements updated as recently as March 2022 to include official content streams by logged-in YouTube users in the charts.</p> <p>While the ARIA charts tell us a great deal about music consumption in Australia, they, like any survey, are not perfect. Musicians who independently release their music and monetise their work in non-traditional ways, such as via a following on social media, direct support through a platform like <a href="https://www.patreon.com/c/music">Patreon</a> or through merchandise sales, are less likely to have their output recognised in the ARIA charts.</p> <p>Likewise, a consumer’s use of a VPN to access music via a streaming service in an international jurisdiction may render the economic activity that results impossible to track.</p> <h2>Quotas and solutions</h2> <p>The other significant impact of the changing digital landscape is the blunting of long-standing policies designed to support Australian music making.</p> <p>For example, the <a href="https://www.cbaa.org.au/resource/codes-practice-%E2%80%93-code-5-australian-music">CBAA Code of Practice</a> requires most community radio stations to broadcast at least 25% Australian content. This requirement has over many decades fuelled a need for Australian music. Streaming services have no equivalent requirement and, as audiences increasingly migrate to these new platforms, this imperative for new Australian music wanes.</p> <p>The federal government has sought to <a href="https://www.arts.gov.au/sites/default/files/documents/national-culturalpolicy-8february2023.pdf">address some of these challenges</a> via its National Cultural Policy, titled Revive. It plans to introduce legislation later this year. Australia’s music industry will likely welcome this intervention, particularly if it builds capacity and creates opportunities for Australian musicians to thrive in Australia.</p> <p>Such policy interventions are not without hazard: <a href="https://www.jmro.org.au/index.php/mca2/article/view/84/32">my research reveals</a> that when government uses cultural policy as a political tool it distorts and ultimately stifles creative practice. Listening to musicians, addressing their needs (such as navigating the eligibility requirements for inclusion in the ARIA charts) and helping connect them to Australian audiences are key.</p> <p>In the meantime, we should all listen to some new Australian music. Let’s make our <a href="https://www.mso.com.au/performance/2023-kate-ceberano">Kate and the MSO</a> number one!<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206088/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/timothy-mckenry-287534">Timothy McKenry</a>, Professor of Music, <a href="https://theconversation.com/institutions/australian-catholic-university-747">Australian Catholic University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/why-isnt-australian-music-charting-on-the-aria-charts-206088">original article</a>.</em></p>

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Tina Turner’s 12 daily habits that helped her live 83 inspired years

<h3>How did Tina Turner live such a long and successful life?</h3> <p>If you’ve ever seen Tina Turner perform live – which she last did on New Year’s Eve 2022 – you might have thought the music icon seemed ageless… immortal, even. From her powerhouse voice to electrifying stage presence and energetic dancing, you would never have known she was 83 years old. But earlier this year she became ill, with some sources reporting intestinal cancer and a stroke. On Tuesday, May 23, 2023, Tina Turner’s family announced she died peacefully at her home in Switzerland.</p> <p>Born Anna Mae Bullock on November 26, 1939, in Nutbush, Tennessee, Turner never had an easy life. In the 1960s and ’70s, she rose to fame as the lead singer of the Ike &amp; Tina Turner Revue, performing with her then-husband, before launching her decades-long solo career. Tina Turner was known just as much for her personal struggles and shared her experiences openly with her fans, earning a reputation for female strength.</p> <p>So how did Tina Turner live such a long and successful life despite her many struggles? The answer is that good genetics and chance likely played their roles, but a lot of the credit goes to her healthy lifestyle. Tina Turner had some famously great health habits and a resilient attitude. Ready to take notes from the Queen of Rock-n-roll? Following her lead won’t make you a famous singer (but who are we to crush your dreams?), but it will definitely make you happier and healthier.</p> <h4>1. Tina Turner maintained a spiritual practice</h4> <p>Turner grew up Southern Baptist but as her spirituality evolved, she eventually turned to Buddhism, crediting it for giving her a purpose in life – one of the best things you can do for your health and happiness. “After I began practicing Buddhism, I realised that my hardships could give me a mission – a purpose. I saw that by overcoming my obstacles, I could build indestructible happiness and inspire others to do the same,” she said in an interview with the Harvard Business Review. “I credit my spiritual practice with all the positive transformations – from the smallest to the largest – I’ve had in my career and personal life.”</p> <h4>2. Getting 10 (!) hours of sleep each night</h4> <p>Thanks to her rigorous touring schedule, Turner’s internal clock was set to ET (entertainment time, that is). “I am late to bed and late to rise, a habit of years of rock and roll touring,” she told Vogue in an interview. But, she admitted, she still prioritised getting enough shut-eye – “a good night’s sleep is the key,” she said, adding she aimed for about 10 hours each night.</p> <h4>3. Tina Turner meditated daily</h4> <p>Turner meditated daily and chanted a mantra when she felt anxious or stressed. One of her go-to mantras was change poison into medicine, to remind her to reframe negative situations or roadblocks and transform or remove them through positivity. “This allowed my true self to come out, and I became cheerful, confident, and resilient,” she wrote in her book Happiness Becomes You. “My approach to life and work became calmer and more thoughtful, and my reactions were more tempered.”</p> <h4>4. Tina Turner Loved to move</h4> <p>The key to making exercise a regular habit is to find something you genuinely love doing. For Turner that was clearly dancing, something she did with unabashed joy on stage. When Vogue asked what her exercise routine was to shape her famous legs, she replied, “Dancing! Any excuse and I will dance anywhere.”</p> <h4>5. Tina Turner had a strong a creative outlet</h4> <p>Songwriting was one of Turner’s greatest gifts, alongside her singing. But it wasn’t something that came easily to her and she dedicated countless hours to writing and composing. This creative outlet not only gave her a healthy outlet for her feelings but doing creative things, like writing, singing and painting have huge cognitive benefits. Not sure where to start to be creative? Write what you know: “I started with the topic I knew best: my own life. I wrote about my hometown of Nutbush in what became the 1973 hit ‘Nutbush City Limits,’” she said.</p> <h4>6. Tina Turner had a sensible diet</h4> <p>From Thai food to vegetarian to local delicacies, Turner was photographed enjoying a wide variety of delicious foods. So how did she keep her healthy muscular physique? Not by starving! “I knew a very long time ago that I always wanted to be as slender and attractive as I possibly could be,” she said in an interview with the Daily Mail. “But I hate all that calorie counting. I eat what I want and then if my weight starts to go up, I cut back.”</p> <h4>7. Tina Turner made time for friends and family</h4> <p>Fame can be isolating, as Turner found out when her ex-husband Ike used it as a way to abuse her. But as she got older Turner made it a point to spend time with her loved ones, including her four children. She also made friends wherever she went, recognising the joy and benefits of having a large social circle. “I do my best to see people as individuals and emphasise common ground,” she said.</p> <h4>8. Following a self-care routine</h4> <p>“I am blessed to have very good skin,” Turner told Vogue. But it wasn’t all genetics. No matter how tired she was after a show, she made it a point to practice self-care by washing off her makeup and using a deep moisture cream before bed. Clearly it worked: Tina Turner had glowy, supple skin well into her eighties!</p> <h4>9. Tina Turner exited a toxic relationship</h4> <p>Not all relationships are worth saving, especially those that are toxic or abusive. Staying with people who hurt you takes a terrible toll on your mental and physical health. Tina Turner’s escape from her abusive marriage was very public but, like many victims of domestic violence, it took the singer a long time to figure out how to leave. “For a long time I felt like I was stuck, with no way out of the unhealthy situation I was in,” she said. “Once I could see myself clearly, I began to change, opening the way to confidence and courage. It took a few years, but finally I was able to stand up for my life and start anew.” Not only did she save her own life, but she provided a powerful inspiration to other women in similar situations.</p> <h4>10. Tina Turner spent time outdoors</h4> <p>After retiring from the public eye, Turner and her husband Erwin moved their family to Switzerland – largely for the beautiful and relaxing scenery. “I love spending days in Switzerland with my husband driving into the mountains,” she said. “It’s relaxing and very spiritual to be surrounded by the lake and beautiful nature.”</p> <p>Are you a nature lover too? Being outdoors has powerful health benefits and is linked with a longer life in the research. It’s not just the exercise that boosts your health. Science has shown that simply being outdoors, in nature, lowers stress hormones, slows your heart rate, reduces blood pressure, and increases feelings of safety and well-being, according to a study on ‘forest bathing.’</p> <h4>11. Tina Turner embraced ageing</h4> <p>Ageing in showbiz is seen as one of the worst things a woman can do (as if she has any other option!), and many stars fight it as long as they can with surgery, drugs and photoshop. Not Tina Turner, though! “Of course, I’ve aged a bit in the face, but not enough to worry about it. I have common sense enough to know that if I’m [ageing], something has to happen,” she said to the Daily Mail. “As time passes, a woman goes through changes with her body, her hormones and all of that, but I don’t have a problem with that. So I am fortunate.” This happy attitude toward ageing is revolutionary and sets a great example, especially because how we talk about ageing has a powerful effect on our health and happiness as we get older.</p> <h4>12. Tina Turner chose happiness every day</h4> <p>Experts agree: happiness is a choice, not a circumstance. No one knew this better than Tina Turner. After suffering a stroke and cancer, she shared, “My challenges can either make me a better version of myself or break me apart, and I have a choice as to which it will be. It’s so important to remember that you do have a choice, even when it feels as if you don’t. I choose to be hopeful and to honour each experience in my life, negative and positive, as a chance to increase my wisdom, courage, and compassion.”</p> <p><em>Images: Getty</em></p> <p><em>Written by: </em><em>Charlotte Hilton Andersen</em></p> <p><em>This article originally appeared on <a href="https://www.readersdigest.com.au/articles/backtips-advice/tina-turners-12-daily-habits-that-helped-her-live-83-inspired-years" target="_blank" rel="noopener">Reader's Digest</a>. </em></p>

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"This made me cry": Royal guard's stunning Tina Turner tribute

<p dir="ltr">The late Tina Turner has been remembered in a special musical tribute outside Buckingham Palace, with the Band of Welsh Guards putting on their own performance of her 1989 hit song, ‘The Best’.</p> <p dir="ltr">The captivating moment took place during the changing of the guard - a daily 45-minute ceremony in which The King’s Guard passes responsibility for protecting Buckingham Palace, as well as St James’ Palace, to the New Guard. </p> <p dir="ltr">The Welsh Guards were joined by the 1st Battalion Welsh Guards Corps of Drums, and the entire performance reportedly went ahead with King Charles III’s full permission.</p> <p dir="ltr">Footage was quickly shared across social media, and fans of the royals and music superstar alike were delighted with what they saw. </p> <p dir="ltr">“This made me cry. So wonderful!!!” one wrote. </p> <p dir="ltr">“Oh, that got me!  What a fantastic thing to do,” another agreed. </p> <p dir="ltr">“A lovely tribute to Tina by the Welsh Guards! I felt happy and sad listening to it!  Thank you for all the songs, Tina,” one said. </p> <p dir="ltr">“Brilliant … Bet a young Tina never would have thought her songs would be played by Guardsmen at Buckingham palace,” someone mused. </p> <p dir="ltr">“Perfect tribute for the Queen of Rock and Roll,” another declared, “she will be missed, there will only be One Tina Turner.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Simply the best! ❤️ </p> <p>At Buckingham Palace, the British Army’s <a href="https://twitter.com/WelshGuardsBand?ref_src=twsrc%5Etfw">@WelshGuardsBand</a> played a special tribute to 🇺🇸 music icon Tina Turner during the <a href="https://twitter.com/hashtag/ChangingOfTheGuard?src=hash&amp;ref_src=twsrc%5Etfw">#ChangingOfTheGuard</a> 💂‍♂️</p> <p><a href="https://t.co/LOSrsMRYMA">pic.twitter.com/LOSrsMRYMA</a></p> <p>— British Embassy Washington (@UKinUSA) <a href="https://twitter.com/UKinUSA/status/1662152963924557835?ref_src=twsrc%5Etfw">May 26, 2023</a></p></blockquote> <p dir="ltr">The tribute came less than one week after <a href="https://www.oversixty.com.au/news/news/tributes-flow-for-tina-turner">Tina had passed away at 83</a>, and on the back of touching words from friends, family, and fans across the globe.</p> <p dir="ltr">And the chosen song, ‘The Best’, holds a special place in the hearts of the royals - particularly for Charles’ eldest son, Prince William. </p> <p dir="ltr">In 2021, William had spoken to Apple’s Time to Walk podcast that his mother - the late Princess Diana - used to play music for himself and his brother, Harry, “to kind of while away the anxiety of going back to [boarding] school.”</p> <p dir="ltr">The song that “stuck” with him? Tina Turner’s ‘The Best’. </p> <p dir="ltr">“Because sitting in the backseat, singing away, it felt like a real family moment,” he said. “And my mother, she'd be driving along, singing at the top of her voice … And when I listen to it now, it takes me back to those car rides, and brings back lots of memories of my mother.”</p> <p dir="ltr">It was something - along with the royal tribute - that fans speculated would have meant a lot to Tina, a “resilient” woman who had <a href="https://www.oversixty.com.au/lifestyle/family-pets/rare-for-a-mother-to-say-that-tina-turner-s-heartbreaking-fear-revealed">experienced the heartache of losing loved ones</a>, too.</p> <p dir="ltr">Tina’s life had had its joy as well, from her music to her <a href="https://www.oversixty.com.au/health/caring/tina-turner-s-husband-s-loving-act-during-her-darkest-hours">devoted husband</a>, and although the final years of her life had seen the singer engaged in a fierce battle with her own declining health, she still dedicated her time to doing what she did best - though <a href="https://www.oversixty.com.au/entertainment/music/rare-photos-of-tina-turner-s-final-years">her appearances grew rarer as time went on</a>. </p> <p dir="ltr">And it was all of this that her fans were happy to celebrate along with the guards, in the best way anyone knew how - through music. </p> <p dir="ltr"><em>Images: Twitter, Getty</em></p>

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The soundtrack to selling: why advertising with popular music needs to be pitch perfect

<p><em><a href="https://theconversation.com/profiles/morteza-abolhasani-1346513">Morteza Abolhasani</a>, <a href="https://theconversation.com/institutions/the-open-university-748">The Open University</a></em></p> <p>At some point today, it’s likely that you’ll listen to music. It may be during a commute or school run, while you do some exercise or take some time to relax. Music is all around us – an accessible and popular art form which <a href="https://online.ucpress.edu/mp/article-abstract/22/1/41/62190/Uses-of-Music-in-Everyday-Life?redirectedFrom=fulltext">accompanies our daily lives</a>.</p> <p>Advertisers have long understood the popularity and emotional power of music and used it to sell us things. Much time – and money – is spent on securing the right soundtrack to adverts in a bid to boost sales, such as when Microsoft <a href="https://www.bloomberg.com/news/articles/1999-05-23/sing-a-song-of-selling?leadSource=uverify%20wall">spent a reported US$3 million</a> (£2.4 million) to use The Rolling Stones’ song Start Me Up as part of their advertising campaign for Windows 95.</p> <p>So how do companies choose the right music for their product? And why is it such a valuable ingredient in the mission to make us consume?</p> <p>Research suggests that the specific qualities of music as an art form enhances the science of selling. As one researcher <a href="https://onlinelibrary.wiley.com/doi/10.1002/mar.4220010303">puts it</a>: “Music […] is the catalyst of advertising. It augments pictures and colours words, and often adds a form of energy available through no other source.”</p> <p>Other <a href="https://link.springer.com/chapter/10.1007/978-3-531-18916-1_19">studies have shown</a> how music transports, underlines or amplifies the persuasive message of adverts. Used well, it creates memorable commercials which influence our attitudes to a product or service.</p> <p>Take the visually simple but <a href="https://www.youtube.com/watch?v=J6bGnSEwdKY">compelling advert</a> for Air France, with the soundtrack of Mozart’s Piano Concerto No. 23. It projects grandeur and elegance, in the hope that viewers will associate those qualities with the airline.</p> <figure><iframe src="https://www.youtube.com/embed/J6bGnSEwdKY?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p><a href="https://journals.sagepub.com/doi/pdf/10.1177/1470593117692021">My research</a>, which looked at hundreds of viewer comments about the music used in advertising, suggests it was successful. Air France’s use of a sophisticated piece of classical music created a direct perception of a sophisticated and premium airline.</p> <p>This is supported by other <a href="https://academic.oup.com/edited-volume/38632/chapter-abstract/335307151?redirectedFrom=fulltext">research</a> which suggests that music which matches the main message of an advert has a positive effect on consumer engagement. This alignment, known as “musical congruity”, can result in enhanced attention, a positive emotional response, and improved brand recall, ultimately enhancing the effectiveness of an advert.</p> <h2>Down memory lane</h2> <p>Music is also effective at triggering <a href="https://journals.sagepub.com/doi/abs/10.1177/1470593114521451?journalCode=mtqa">feelings of nostalgia</a>. The extent to which music arouses emotional memories – “musical indexicality” – in adverts creates associations with consumers’ past experiences.</p> <p>The music for <a href="https://www.youtube.com/watch?v=_NwBcCUh24I">an advert</a> for Old Navy inspired <a href="https://journals.sagepub.com/doi/pdf/10.1177/1470593117692021">positive comments</a> based on viewers’ memories. A good choice of music allows businesses to tap into this nostalgia for commercial benefit, and my <a href="https://journals.sagepub.com/doi/pdf/10.1177/1470593117692021">research suggests</a> that music with autobiographical resonance can be particularly effective.</p> <p>Another example of this is when <a href="https://www.youtube.com/results?search_query=pink+moon+vw">Volkswagen used</a> Nick Drake’s <em>Pink Moon</em>.</p> <figure><iframe src="https://www.youtube.com/embed/_-kqUkZnDcM?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>As one viewer commented: “Rarely do I get sentimental with commercials, but this one takes me back to the time when I was dating my wife and when we were first married. We used to take drives like this in the mountains and I remember looking at her beautiful face in the moonlight. The music is perfect. The sentiment is perfect.”</p> <p>(In this case, the 1999 advert also had a big impact on Nick Drake’s popularity, with album sales <a href="https://www.rollingstone.com/music/music-news/nick-drake-pink-moon-song-volkwagen-commercial-182739/">dramatically increasing</a> after the advert’s release. Drake, who died at the age of 26, never saw commercial success in his lifetime.)</p> <h2>Commercial clash</h2> <p>But using music to advertise products doesn’t always work. For one thing, music can infiltrate the mind, repeat itself continuously and become extremely difficult to dislodge.</p> <p>This is why we can’t get some jingles out of our heads for ages. Involuntary and repetitive exposure to a piece of music can quickly reach the point of annoyance.</p> <p>The use of popular music in advertising can also provoke arguments around <a href="https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5206">the tensions</a> between artistic endeavour and commercialism. Some people believe a work of art should not be used for the pursuit of profit.</p> <p>In fact, the findings of my study on viewer comments showed that consumers sometimes passionately oppose the use of music by revered musicians being used in adverts, as they believe that doing this undermines its aesthetic integrity.</p> <p>For example, Nike’s use of the The Beatles’ song <em>Revolution</em> was seen by some as exploiting John Lennon’s lyrics to sell shoes. It made some Nike wearers so angry that they boycotted the brand.</p> <p>One wrote: “This is disgusting. Shame on Nike for exploiting priceless art. I will never buy another Nike shoe again.” Another said: “John didn’t mean change the brand of your trainers!”</p> <p>So advertisers need to be careful. For while the right choice of music can attract customers, boost sales, and inspire brand loyalty, the wrong choice can create something of a backlash. For many people, music is precious, and using it as a marketing tool does not always have harmonious results.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/203856/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/morteza-abolhasani-1346513">Morteza Abolhasani</a>, Lecturer in Marketing, <a href="https://theconversation.com/institutions/the-open-university-748">The Open University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/the-soundtrack-to-selling-why-advertising-with-popular-music-needs-to-be-pitch-perfect-203856">original article</a>.</em></p>

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“Rare for a mother to say that”: Tina Turner’s heartbreaking fear revealed

<p dir="ltr">Tina Turner’s daughter-in-law, Afida, has revealed the star’s deepest fear for her children, and her agonising health struggles prior to her <a href="https://www.oversixty.com.au/news/news/tributes-flow-for-tina-turner" target="_blank" rel="noopener">death</a>, in an emotional interview with the <em>Daily Mail</em>.</p> <p dir="ltr">Afida revealed that the <em>Proud Mary</em> singer, who outlived two of her four children, grieved for them every day and was “extremely sick” by the time her second son, Craig, passed away.</p> <p dir="ltr">“If you lose a child, or a loved one, you are going to cry every morning and every night,” Afida said.</p> <p dir="ltr">Craig, had passed away at the age of 59 by suicide in 2018. His brother Ronnie passed away just four years later at the age of 62 from colon cancer.</p> <p dir="ltr">Afida, who is Ronnie’s widow, shared that the only comfort was that Tina was finally reunited with her beloved sons.</p> <p dir="ltr">“They never had time to spend together and now all three of them are together.”</p> <p dir="ltr">Afida also revealed Tina’s deepest fear for her son Ronnie, and how she was worried he could “turn out like” his abusive father, Ike Turner</p> <p dir="ltr">“[Tina] sometimes told me, ‘You don’t want to stay with him. He is going to be like his father’. It is pretty rare for a mother to say that,” she said.</p> <p dir="ltr">“At first, he was kind of like his father, but after that he was going very well,” she added\, revealing that she’d given Ronnie an ultimatum to get his act together.</p> <p dir="ltr">“He made a very big effort to keep me. In the beginning it was very hard because I was not willing to stay with him,” she said.</p> <p dir="ltr">Afida also opened up about the star’s death and revealed that despite Tina’s health struggles, the singer was extremely strong and resilient, which made her family think that she would live forever.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CsoyspoMrqy/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CsoyspoMrqy/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Afida Turner (@afida_turner)</a></p> </div> </blockquote> <p dir="ltr">“She was ill for a long time, but she was extraordinarily strong too,” she said.</p> <p dir="ltr">“She was fighting for her life from 2017 until now. We knew how sick she was, but she was doing so well that this was not expected,” Afida added.</p> <p dir="ltr"><em>Image: Getty</em></p>

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Empowerment, individual strength and the many facets of love: why I fell for Tina Turner

<p><em><a href="https://theconversation.com/profiles/leigh-carriage-456522">Leigh Carriage</a>, <a href="https://theconversation.com/institutions/southern-cross-university-1160">Southern Cross University</a></em></p> <p>For singers – amateur and professional alike – the name Tina Turner evokes instant reverence: Turner is a singer’s singer and perhaps the performer’s performer.</p> <p>A highly successful songwriter, the consummate dancer and fittingly ranked as one of the <a href="https://www.rollingstone.com/music/music-lists/100-greatest-artists-147446/">100 Greatest Artists of All Time</a> by Rolling Stone magazine, Turner was the ultimate entertainer.</p> <p>Upon hearing of her death, I was deeply saddened. I immediately recalled the intoxicating power and timbre of her voice, her mesmerising energy and her commanding performances.</p> <p>I started singing sections of songs such as <em><a href="https://www.youtube.com/watch?v=T2T5_seDNZE">Proud Mary</a></em>, <em><a href="https://www.youtube.com/watch?v=e9Lehkou2Do">River Deep Mountain High</a></em> and of course iconic original songs, such as <em><a href="https://www.youtube.com/watch?v=I07249JX8w4">Nutbush City Limits</a></em>. This was an intimate, sentimental, nostalgic and danceable song celebrating Turner’s roots growing up in the small town of Nutbush, Tennessee.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Tina Turner was raw. She was powerful. She was unstoppable. And she was unapologetically herself—speaking and singing her truth through joy and pain; triumph and tragedy. Today we join fans around the world in honoring the Queen of Rock and Roll, and a star whose light will never… <a href="https://t.co/qXl2quZz1c">pic.twitter.com/qXl2quZz1c</a></p> <p>— Barack Obama (@BarackObama) <a href="https://twitter.com/BarackObama/status/1661514993383120896?ref_src=twsrc%5Etfw">May 24, 2023</a></p></blockquote> <h2>Fierce hard work</h2> <p>My first encounter with Turner’s brilliance and might was hearing her hits of the mid-1980s, with songs like Graham Lyle’s <em><a href="https://www.youtube.com/watch?v=oGpFcHTxjZs">What’s Love Got To Do With It</a></em>, Al Green’s <em><a href="https://www.youtube.com/watch?v=4rFB4nj_GRc">Let’s Stay Together</a></em> and – love it or hate it – the powerful rock ballad <em><a href="https://www.youtube.com/watch?v=Gcm-tOGiva0">We Don’t Need Another Hero</a></em>, the theme song to <em>Mad Max: Beyond Thunderdome.</em></p> <p>Once introduced, I immersed myself in her extensive back catalogue, soaking in her early 1960s soul, funk and emerging rock tracks.</p> <p>Today, I flashed back to memories of the physical energy and technical focus and practice it took just attempting to sing any Turner songs in my 20s.</p> <p>The degree of difficulty required to perform as Turner did cannot be understated.</p> <p>To sing with such consistency in such high registers, belting out song after song live with impeccable pitch, breath control, fitness, articulation and rhythmic precision is one thing. To do all of this while dancing with intense pace to highly choreographed routines throughout each show is on a whole other level.</p> <p>Her performance practice exemplified fierce hard work – with an immense energy and vitality in live performance.</p> <p>Try singing any of her songs at a Karaoke bar. Very quickly you gain some insight into the technical demands her songs require.</p> <h2>Making songs her own</h2> <p>For every singer, selecting a repertoire to cover is an ongoing quest.</p> <p>In a sea of the world’s great songs, Turner selected songs she could make her own. She remodelled every song she sang - realigning them so much that we now think of them as hers first.</p> <p>There are so many examples. My favourites are Turner’s formidable versions of <em><a href="https://www.youtube.com/watch?v=oIPoC6JlP38">I Can’t Stand the Rain</a> </em>(originally by Ann Peebles), <em><a href="https://www.youtube.com/watch?v=GC5E8ie2pdM">The Best</a></em> (Bonnie Tyler) and <em><a href="https://www.youtube.com/watch?v=d4QnalIHlVc">Private Dancer</a></em> (Mark Knopfler).</p> <p>A great deal of the songs Turner was known for through the 1960s were covers. Turner’s forceful and expressive vocal delivery gave new life to these songs, realigning them with her uniquely identifiable sound and choice of vocal register, her phrasing choices and her punctuated rhythmic delivery.</p> <p>Turner is perhaps less known as a songwriter, but her diverse songwriting demonstrated her skill and thoughtful, well-crafted lyrics. On her 1972 album Feel Good, nine of the ten songs were written by Turner. From 1973 to 1977, Turner composed all the songs on each album.</p> <p>One of my favourites of her original songs is the power ballad <em><a href="https://www.youtube.com/watch?v=l__zi3OtrQ0">Be Tender With Me Baby</a></em>. It speaks of a request for understanding, of her loneliness and vulnerability, sung with Turner’s intensity.</p> <p>Across her original songs and covers, Turner’s repertoire spoke of empowerment, individual strength and the many facets of love. Beyond performing, Turner represented inner strength, spiritual depth and resilience against adversity.</p> <p>In 1996, when Turner was 57, she recorded her ninth studio album, <em>Wildest Dreams</em>.</p> <p>One track, <em>Something Beautiful Remains</em>, may not be as familiar as many of her other hits, but it is the song I have kept returning to today. In the chorus, Turner’s lyrics are sadly perfectly fitting:</p> <blockquote> <p>For every life that fades<br />Something beautiful remains.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206395/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> </blockquote> <figure><iframe src="https://www.youtube.com/embed/1uXLFtXpeFU?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p><em><a href="https://theconversation.com/profiles/leigh-carriage-456522">Leigh Carriage</a>, Senior Lecturer in Music, <a href="https://theconversation.com/institutions/southern-cross-university-1160">Southern Cross University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/empowerment-individual-strength-and-the-many-facets-of-love-why-i-fell-for-tina-turner-206395">original article</a>.</em></p>

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